Date completed : 25 May 2022 Duration : 12 Weeks
Ines Santy

The painting was left unvarnished. The back of the canvas, stretcher and frame were surface cleaned. The small dent was moisture teated to flatten. Four new wedges were added. A fifth wedge could not be inserted due to the broken off wedge that could not be removed. The canvas was tensioned and the wedges secured. A photograph was taken of the inscriptions at the back of the canvas and the photograph was encapsulated. The deepest lacunae and scratches were filled. The mould spots, fills, scratches, shallow lacunae and black abrasions were retouched. A build-up could not be added to the frame as the moulding was too narrow and the hardwood very though. The painting was secured with canvas offsets (metal S-bent plates) and the holes pre-drilled for the screws. The back of the painting was protected with a gas-permeable waterproof and dust proof barrier and attached to the back of the frame with acid-free paper gum tape. The encapsulated photograph of the inscriptions was attached to the back of the framed painting.

Conservation/restoration of ‘White Bud’ by H F Lucas Lucas, dated 1923.
Conservation/restoration of ‘White Bud’ by H F Lucas Lucas, dated 1923.
Conservation/restoration of ‘White Bud’ by H F Lucas Lucas, dated 1923.
Conservation/restoration of ‘White Bud’ by H F Lucas Lucas, dated 1923.
Conservation/restoration of ‘White Bud’ by H F Lucas Lucas, dated 1923.
Conservation/restoration of ‘White Bud’ by H F Lucas Lucas, dated 1923.
Conservation/restoration of ‘White Bud’ by H F Lucas Lucas, dated 1923.
Conservation/restoration of ‘White Bud’ by H F Lucas Lucas, dated 1923.
Conservation/restoration of ‘White Bud’ by H F Lucas Lucas, dated 1923.
Conservation/restoration of ‘White Bud’ by H F Lucas Lucas, dated 1923.

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