Date completed : 12 August 2022 Duration : 16 Weeks
Ines Santy

The loose paint/ground flakes along the tear and strainer bar cracks were consolidated. The painting was surface cleaned along the front and back. The canvas was removed from its strainer. The tear and canvas were moisture treated to flatten. The tear was mended and the canvas lined (attachment of second canvas). The canvas was re-stretched on an aluminium stretcher. The varnish coat was selectively removed on top of the sky and light colours. The paint/ground losses along the tear were filled. The fills, abrasions, specks and shallow paint losses were retouched. The painting was brush and spray varnished. The frame was surface cleaned. The loose hanging rings were replaced by two hooks. The small gesso and gilding losses were retouched. A wood build-up was added to the back of the frame. The inner slip and painting were secured with canvas offsets (S-bent metal plates) and screws. The loose compo piece was consolidated. A backing material was attached to the back of the frame to protect the painting.

Conservation/restoration of ‘Brig O’ Balgownie’ by William Purser, 1835.
Conservation/restoration of ‘Brig O’ Balgownie’ by William Purser, 1835.
Conservation/restoration of ‘Brig O’ Balgownie’ by William Purser, 1835.
Conservation/restoration of ‘Brig O’ Balgownie’ by William Purser, 1835.
Conservation/restoration of ‘Brig O’ Balgownie’ by William Purser, 1835.
Conservation/restoration of ‘Brig O’ Balgownie’ by William Purser, 1835.
Conservation/restoration of ‘Brig O’ Balgownie’ by William Purser, 1835.
Conservation/restoration of ‘Brig O’ Balgownie’ by William Purser, 1835.
Conservation/restoration of ‘Brig O’ Balgownie’ by William Purser, 1835.

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