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Over the last twenty years the Edinburgh conservator Ines Santy has dealt with a range of concerns in connection with the work of Jon Schueler (1916 – 1992): dust and dirt from paintings hanging in public places for over 50 years, mud stains from a flooded storage place, mishandling by galleries, distortions formed by wooden stretchers aging at different rates, and wear and tear (before every painting was fitted with wooden stripping to protect the surface while being stored). Her care and thoughtful assessment of each case has been most gratifying, and her ongoing research into new or alternative methods to meet serious challenges has been repeatedly successful. I entrust Schueler’s work to her with complete confidence and thank Ines for her commitment and extraordinary skill.

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