Dr. Victoria Purewal ACR
I am an accredited natural science conservator (ACR), accredited through the Institute of Conservation (Icon) gaining this award in 2002. I have over 25 years of practical experience including a masters and a doctorate in conservation science. I worked at the National Museum of Wales (@Amgeuddfacymru) for over 20 years and then I was fortunate to work as senior curator of natural science at Bristol Museum & Art Gallery (@bristolmuseum). In 2014 I set up my company Pure Conservation www.pureconservation.co.uk @Pureconserve and my studio is now based in Carmarthen, South Wales offering conservation services across the UK.
What is Natural Science Conservation?
Natural Science or Natural History Conservation is providing care and advice on material relating to or containing animal, plant or geological components.
Recent studies have revealed that natural science collections are the most visited collections in museums, yet this is not always represented in their funding and upkeep. Natural science material is susceptible to a host of problems including damage from mould, pest damage, pyrite decay, cracking, physical damage and general dirt encrustation. Ensuring the collections are housed and stored appropriately is of primary importance. However, things can go wrong and mould, tears, loss of skin; fur or even an eye does happen and this is where I can help.
What can Pure Conservation offer you?
Please visit my website www.pureconservation.co.uk to see the range of services we offer
Pure Conservation’s client base
The client base for Pure Conservation is broad and varied and includes:
Museums, galleries, universities, schools, National botanic gardens, private individuals and private houses including the National Trust; I am currently assistant natural science advisor to the National Trust.
Purewal, V. (1994) Conservation and the Herbarium, 19-28.
Purewal, V. J. (1997) The Biology Curator.
Purewal, V. J. (1997) Collection Forum, 13, 11-19.
Purewal, V. (1998). Analysis of the composition and study of pesticide residues present on herbarium sheets housed within the National Museum and Galleries of Wales. Chemistry and Physics Department, Leicester, De Montfort University: 102.
Purewal, V. J. (1998-1999) Amgueddfa.
Purewal, V. (1999). "The identification of hazardous pesticide and fungicide residues on herbarium material." Scottish Society for Conservation and Restoration 10(4): 5-9.
Purewal, V. (2000) Natural Science Conservation Group, 13, 12-13.
Purewal, V. (2000) The Biology Curator, 19, 31-34.
Purewal, V. (2001) The conservation of botanical photographs In Biological collections & biodiversity (Eds, Rushton, B. S., Hackney, P. and Tyrie, C. R.) Westbury Academic & Scientific Publishing,, Otley, West Yorkshire, pp. 233-246.
Purewal, V. (2001). "The Identification of Four Persistent and Hazardous Residues Present on Historic Plant Collections housed within the National Museum and Gallery of Wales." Collection Forum 16(1-2): 77-86.
Purewal, V. (2004) ICOM-CC NHCWG Newsletter, 13, 13.
Purewal, V. and Townsend, A. (Eds.) (2006) Forever Green: Botanical wax models In Buttler, C. and M. Davis, Eds. (2006). Things Fall Apart...Museum conservation in practice. Cardiff, . Pp188-193, National Museum Wales Books, Cardiff.
Spears, R. A.,Purewal V. & Thompson, J.P. (2007). Exposure to heavy metals from herbarium specimens in the National Museum of Wales (NMW), Cardiff. XXVII International Congress of the European Association of Poisons Centres and Clinical Toxicologists, Athens.
Purewal, V., Colston, B. and Röhrs, S. (2007)The Identification of Historic Biocide Residues on Herbarium Material at the National Museum Wales In Proceedings of the XI International conference on PIXE and its analytical applications pp D3 1-4.
Purewal, V, Colston, B. and Röhrs, S (2008) Developing a Simple Screening Method for the Identification of Historic Biocide Residues on Herbarium Material in Museum Collections Journal of XRS, 37 (2) pp.137-141
Purewal, V. & Colston, B. (2008) New Approaches to the Identification and Treatment of Contaminants in Herbaria. In Proceedings of the International Seminar on Cultural heritage between conservation and contamination –The issue of biocidal products in museum collections and monuments Berlin, November 29th –December 1st, 2007
Rich, T.C.G and Purewal, V. The history and conservation of the John Stuart herbarium at Amgueddfa Cymru-National Museum Wales 2013 (in press).
Purewal, V. (2018) The preservation of plant collections (Eds. Elkin,L. & Waller, R.) Storage at a glance Society for the Preservation of Natural Science Collections (in press)
The Conservation of Hair (Eds. Bacon, L., Kingham, E., Purewal, V. & Phipps, D.)
London, Archetype Publications, 2015,. 120pp
Preventive Conservation: Collection Storage. The book will cover preventive conservation of all types of collections, including natural history, fine and decorative art, history, library, archive and digital collections. Reflecting its comprehensive scope, the book is a collaboration between the Society for the Preservation of Natural History Collections (SPNHC), the American Institute for Conservation (AIC), the Smithsonian Institution (SI) and the George Washington University Museum Studies Program (GWU).
Continuing Professional Development
I do also keep up to date with modern methods and technologies and recently embarked on a training course with Arthur Green of Greens Books, funded by Icon and TruVue. See blog
It is not unusual for clients to not want you to publicise the work you are doing for them and so providing information on work and projects undertaken is not always possible. However, I have been an active member of several natural science organisations including NatSCA, SPNHC and ICOM-CC for many years and here are a few blogs that I posted over the years, providing you with a bit more information on the work I do.
Bristol Museum and Art Gallery
I undertook the complete conservation of 4 bound 18th C herbarium collected in Bristol and Kingston, Jamaica by Dr Arthur Broughton. The project was a non conventional approach where the entire collection was removed from the failing bound volumes and re-mounted on to archival sheets and is now fully accessible physically and digitally as all images were digitised in situ and an ebook was produced for use on the museum’s website and gallery.
I am also keen to promote the hazardous issues surrounding natural science collections and recently undertook XRF analysis on some of my clients’ collections with interesting results. This gained knowledge provides future guidance on how best to work, clean and conserve these collections safely and responsibly.
The collections I work with most regularly are taxidermy, eggs, ethnography, herbaria, shell and private individual eclectic collections.