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I am an accredited paper and photographic conservator and consultant. I manage my own practice, carrying out an extensive range of conservation work on individual items and collections of photographs. I also conduct conservation surveys of collections and give practical advice on suitable environmental, storage and display conditions. I can advise about preparation of photographs for digitisation. I provide training and lectures on photographic conservation and have considerable experience teaching at all levels. I pride myself on being approachable and giving practical, understandable and affordable advice.

I work throughout Britain and abroad and have worked in Europe, North and South America, the Middle East, Australia and New Zealand for public and private collections. Clients are primarily institutions, including national and regional museums, libraries, archives, universities, businesses, and newspapers. Clients have included the British Library, Victoria and Albert Museum, Tate Gallery, Royal Academy of Arts, National Trust, English Heritage, National Archives (UK), National Records of Scotland, National Museums of Scotland and Wales, Historic Scotland, Royal Commission for Historic and Ancient Monuments, (Scotland), British Museum, National Science and Media Museum, National Maritime Museum and Oxford University amongst others.


I qualified in paper conservation at Camberwell School of Art and Craft in London in 1985. Subsequently, I was the conservator for a collection of approximately 20 million photographs at the BBC Hulton Picture Library (now Getty Images). In 1990, I became a freelance paper and photograph conservator and consultant and I was accredited in 2000.

In 1996 I won the Museums and Galleries Commission Jerwood Conservation Award for Research and Innovation for my work on wet collodion positives. This work was later published in a paper in 1998 in Studies in Conservation, the Journal of the International Institute for Conservation of Historic and Artistic Works. In 1998, I was the Conference Organiser and Preprint Editor for the international conference “Care of Photographic, Moving Image and Sound Collections”, part of the Arts Council Year of Photography and the Electronic Image. I have been the Conservator for the Collaborative Research Project between the National Science and Media Museum and the Getty Conservation Institute (USA) looking at the characteristics of different photographic processes and also the Conservator for the Nicéphore Niépce project at the National Science and Media Museum. In 2013 I was the main tutor for the Foundation of the American Institute of Conservation collaborative workshop “Conservation of Glass in Photography” at the J. Paul Getty Museum, Los Angeles. In 2016, I gave workshops on the conservation of glass in photography for the Australian Institute for the Conservation of Cultural Material at the National Gallery of Australia and New Zealand Conservators of Cultural Materials at the National Library of New Zealand. I was a Honorary Teaching Fellow at the University of Dundee from 2014 to 2017 and regularly give training seminars at the British Library for West Dean College and for other heritage organisations.

I continue to keep my own skills up to date by attending meetings and courses on a variety of topics.

I am an Assistant Co-ordinator of the ICOM-CC Photographic Materials Group and was previously the Co-ordinator from 1999-2002. I am also a Committee Member of the York Consortium for Conservation and Craftmanship. I have previously been on the Committee of the Institute of Paper Conservation and the Society of Archivists’ Film and Sound Committee and Conservation Committee. I was the Honorary Assistant Secretary of the Yorkshire and Humberside Federation of Museums and Art Galleries from 1999-2001.

Prior to my studies and work in conservation, I worked as Assistant Scientific Officer for the Institute of Terrestrial Ecology and continue to maintain my interest in biology. My final year project at Camberwell School of Art and Craft was in the conservation of dried herbarium specimens for the Royal Botanic Gardens, Kew which was written up in 1986 in a paper for Taxon, the Journal of Plant Taxonomy.

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