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Caring for... > Care and conservation of fashion accessories
Care
and conservation of fashion accessories
Fashion
accessories may be described as costume ephemera, usually
made in a style or following a trend that is short-lived,
only fashionable for a short time and thereafter cast aside
for something new. Lace, shawls, muffs, artificial flowers
and hair ornaments, umbrellas and parasols, scarves and even
spectacles can all be described as fashion accessories but
perhaps the most commonly found items are hats, bags, shoes,
gloves and fans.
These
types of object may be made from either natural or synthetic
materials. Plastics, glass (e.g. beads), metals, rubber, fur,
feathers, straw, wood, ivory, paper, wax (e.g. flowers), fabric-covered
wire and beetle wings are but a few of the components that
may be found together with silk, wool, cotton and other fibres.
A common problem in conserving these items is that accessories
are routinely made from combinations of many - often incompatible
and highly degradable - materials.
Should
I wear it?
Decide first on the “status” of the item. Are
you happy for the accessory to be wholly expendable and for
it to be treated as part of your everyday wardrobe - with
a limited life? If you in any way value your costume accessories
as historic objects and want them to survive for future generations,
you should not wear them or in any way use them for their
original purpose. Keep these two categories of items separate.
Wearing, use and unnecessary handling all increase the risk
of damage and loss by soiling or by stress damage to weak
and fragile parts.
- A conservator
can give you advice on which items in your collection are
vulnerable and how to look after them and handle them. They
can also provide you with options for treatment and repair
of damaged items.
Recognising
signs of deterioration
Crushing,
distortion and other physical damage is a common occurrence.
Accessories are frequently 3-dimensional objects and may
be damaged easily due to poor or inadequate storage. Organising
and storing your collection properly can prevent this.
Light
damage such as colour fading or embrittlement of textile
or other organic parts.
Holes,
frass and grazed surface areas where insects have eaten
organic materials. Clothes moth, woodworm and biscuit beetle
(“woolly bears”) are attracted to organic materials,
particularly proteinaceous ones such as wool and silk. Moisture,
dust and associated proteins such as foodstains, sweat or
makeup will be additionally attractive to them.
Staining
from degrading or corroding materials. Where an unstable
plastic such as cellulose nitrate is part of the object,
the acidic breakdown products of this material can stain
and damage other parts. Corroding copper and iron components
likewise. These effects are made worse in damp conditions
or if the metal or plastic is in association with a more
acidic material.
A
wide variety of mould growths can grow on organic materials
in particular. This occurs in damp and unventilated conditions
and may lead to bad staining; mould also attracts insects.
- Conservators
(specialising in objects, textiles or metal, as appropriate)
are trained and experienced in cleaning repairing and
stabilising items with these types of damage. Prevention
is better – and cheaper – than a cure, and
there are steps you can take yourself to care for your
collection of accessories.
What
you can do to help - storage
Good storage conditions and adequate support for fragile and
weak items will help ensure the stability of an object and
will slow down its degradation. Store these items in the dark,
and try to maintain a stable, non-fluctuating environment
with even temperature and humidity not too damp or dry.
Organise
your collection. Allow adequate space for the storage of each
object and do not stack them on top of one another. Fans should
be stored closed, in their boxes if present, or closed and
wrapped in acid-free tissue. Polythene (polyethylene sheet
or bags) should not be used as these attract dust and can
trap insects, mould and dampness around the object. Instead
use acid free materials (storage boxes, envelopes and tissue)
or inert polyester.
Make a
simple support for storing hats - from acid-free tissue fashioned
into sausages and wads and used to pad out and support the
shape of the hat. Hats should not be stored resting solely
on their brim, as in time the crown will sink and become distorted
down under its own weight or that of the trimmings. Gloves
should be lightly padded with slender sausages of tissue inserted
into the fingers. If gloves are stored flat for a long time
there is a risk of hard creases forming to the fingers and
sides of the glove. Other 3-dimensional accessories such as
bags and shoes should also be lightly padded with tissue in
order to hold them in shape, then wrapped in acid-free tissue.
The exception
to this rule is any accessory made of plastic. In time the
plasticiser may leach out of the compound causing the surface
of the object to become sticky. Accessories made from these
materials should be stored separately and given plenty of
space and a free circulation of air.
Inspect
all objects that are stored regularly, to check for insect
pests and other forms of damage.
Consulting
a conservator
- A conservator
can help you by carrying out a survey of your collection,
item by item. This will also prioritise those objects which
need special care, careful watching or immediate treatment
and will save you time and expense in the longer term.
- Conservation
of costume accessories, particularly “mixed media”
objects, can be very complex and you could do a lot of irreversible
damage with “home” treatments, even simple cleaning.
There is however a lot of useful preventive work that you
can do safely, and a conservator can advise you on this.
- Conservators
can also design and manufacture supports and mounts for
your objects to help keep them safe in storage or display
conditions. They can give advice on what materials to use
and how to make these mounts yourself.
- Conservators
are trained and skilled in cleaning, stabilising and repairing
most types of materials. Don't worry if you are not sure
which specialism of conservator to approach; any accredited
conservator specialising in objects, metals or textiles
for example will be able to give you basic initial advice
about your needs.
Use the Conservation Register to Find
a conservator.
©
Icon, the Institute of Conservation 2006.
This article
offers general guidance and is not intended to be a substitute
for the professional advice of an accredited conservator.
The views expressed are those of the author or authors, and
do not necessarily represent the views of the Institute of
Conservation.
The Institute of Conservation would like to acknowledge use of the MGC publication 'Ours for Keeps' in the preparation of this text. The Institute of Conservation and its partners
accept no liability for any loss or damage which may arise
if this guidance is followed.
The Institute
of Conservation would like to acknowledge the support of The
Royal Commission for the Exhibition of 1851 in the production
of this guidance information. Further information on The Royal
Commission for the Exhibition of 1851 and its work is available
at www.royalcommission1851.org.uk. |